Skip to main content

Glampons, Miss World flareups and loo roll laureates – Unfinished Business review

British Library, London
This intriguing history of the women’s movement – from leg-liberating bicycles to the poems Sylvia Pankhurst wrote on prison toilet paper – doesn’t neglect the struggle’s contradictions and blind spots

“We are not beautiful,” say the words on the leaflet, alongside a picture of a raging, cigar-smoking vixen with hairy legs. “We are not ugly,” they continue. “WE ARE ANGRY.” This leaflet was part of the protests against Miss World contests in the 1970s. It features in Unfinished Business, an exhibition that traces the history of the women’s movement through its signature, headline-grabbing flareups, but also through its imagery, philosophy and artefacts, with one eye always on the work left to do.

You can’t help but be struck by the vastness of the terrain: this movement needed its engineers as much as its crusaders, its poets and comedians as much as its scientists. It took a village, in other words, and then a load of other villages. It would be glossing the reality to say that it took all women, but it took enough of us that to tell its history means running headlong into an inconvenient truth: the trouble with women is we don’t all agree.

Continue reading...

from Culture | The Guardian https://ift.tt/3osEsfP

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...