Skip to main content

Michael Rosen on his Covid-19 coma: ‘It felt like a pre-death, a nothingness’

Earlier this year, the beloved children’s writer spent six weeks on a ventilator with coronavirus. He talks about the magic of the NHS, the mismanagement of the crisis and how his near-death experience has changed him

“I’m drinking lemon tea,” Michael Rosen says. “Would you like some? It’s what my mother used to call Russian tea, by the way.” And before I am through the kitchen door of his north London home, he has given me a potted history of Russian tea. It is classic Rosen. Rarely does a sentence pass without the much-loved children’s poet and author teaching you something. There are anecdotes within anecdotes, tangents galore and an astonishing frame of reference – from the Palestinian professor Edward Said on “othering” to the former footballer Gordon Strachan on resilience, the poet Benjamin Zephaniah on us all being migrants and the father of psychoanalysis, Sigmund Freud, on memory banks – and back again. “Sorry to inflict the Arsenal mug on a Man City fan,” he says with a wicked smile. Rosen, it seems, knows everything about everybody.

Earlier this year, the 74-year-old contracted Covid-19. He spent seven weeks in intensive care, six of them on a ventilator. His hair is white and thinner (although still pretty lush), he wears a hearing aid because his left ear is buggered, the bags under his eyes are more scrotal than ever, his left eye is fogged over, his voice is underpowered and he struggles with his breathing. Then there is the dizziness, numb toes, increased arthritis and blood clots on his lungs. Having said that, he is doing amazingly well. He is not hobbling around his kitchen, but cantering. He is writing books and newspaper columns, performing on his YouTube channel (run by his son Joe; 86m views), tweeting like billy-o. And yet there is something different about him.

Continue reading...

from Culture | The Guardian https://ift.tt/2S9XQzx

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV