Skip to main content

'I need to spread love with the gifts God gave me': funk master Steve Arrington returns

Arrington helped turn Ohio into America’s funkiest state, but turned away from music for 25 years to work as a minister – and find himself. Now he’s back with a new album

Yellow Springs, Ohio, is buzzing, despite it being a weekday afternoon in a pandemic. When Steve Arrington and I meet at a cafe on the town’s main strip, we instinctively reach out our hands to shake. And then, midway, we remember. As we switch to the now-common elbow bump, he sighs. “We do what we can to get by, I guess.”

Arrington, 64, is no stranger to adaptation. His career as one of the greatest funk stars in the US began on the underground scene in nearby Dayton just as it began to take off in the mid-1970s. Arrington’s older brother was in bands, and some of the best funk drummers of the era would come to the family home and play while a young Steve sat on the steps. They would give him permission to play on their kits when they weren’t using them, and this is how Arrington drummed his way into bands throughout the area, most notably joining Slave in 1978 as a drummer before sliding in as a backup vocalist and eventually taking over as lead singer.

Continue reading...

from Culture | The Guardian https://ift.tt/2GfB5HJ

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...