Skip to main content

‘In real life, people aren’t heroic’: Annette Bening and Bill Nighy on why marriages implode

The two actors talk about their new film, Hope Gap, and along with co-star Josh O’Connor and director William Nicholson, share their thoughts on honesty, fidelity and the perils of talking at breakfast

Bill Nighy would like you to know that he is not a professional agony uncle. “If I start talking as if I’m an expert on sexual relations, call a cab,” he says, down the phone, from under a tree, familiar drawl mixed with a snort. Same goes if you want to talk about faith. “I’ve had no contact with the supernatural or made any connections with other dimensions. I don’t have any answers. I don’t get out much. And, what with the pandemic, I obviously get out even less.”

Trouble is, to discuss Nighy’s new film – about the abrupt end of a long marriage – is to wade immediately into Dear John territory. That is its point. “You hope it will unlock people’s lives, not to sound too grand,” says Nighy. “That it examines stuff. And there aren’t many bigger subjects than the attempt at love and monogamy and families.”

Continue reading...

from Culture | The Guardian https://ift.tt/2D3VZrQ
Labels:

Comments

Post a Comment

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4
Post a Comment
Read more

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop
Post a Comment
Read more

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV
Post a Comment
Read more