Skip to main content

Great excavations: Elizabeth Price on unearthing the truth about work

Mines, ties and felt-tip pens take on subversive new meanings in the films of the Turner-winning artist. She talks about hidden trauma, ‘horrible’ language – and what the Covid crisis has revealed

In 2016, Elizabeth Price curated an ethereal, elusive exhibition called In a Dream You Found a Way to Survive and You Were Full of Joy. She chose work that was particular to her, close to her heart. On one level, it was about the idea of the horizontal. It was full of recumbent sculptures, queues, processions, dances, snowdrifts, ribbons, and flags. At the same time, it was infused with thoughts of sleep, dreams and death.

“I was drawing on connections I’d been putting together over years and years, things that had been formative,” says the artist. “It was a view of what art can be, or what my relationship with art is.” Her latest exhibition, by contrast, has at its heart the idea of the vertical. For Slow Dans, a trilogy of multiscreen video works, she flipped the projector. Visitors to the large 19th-century assembly hall in which the show unfolds will see works on long, thin screens, 3 metres tall by 1.5 metres wide.

Continue reading...

from Culture | The Guardian https://ift.tt/2YzBjzI
Labels:

Comments

Post a Comment

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4
Post a Comment
Read more

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop
Post a Comment
Read more

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV
Post a Comment
Read more