Christopher Nolan’s latest blockbuster creates a palindromic origami of bizarre physics inside an 007-style thriller. If you’ve seen it, what did you think?
Charged with the twin missions of kickstarting cinemagoing post-lockdown (outside the US, at least) and out-Nolanning every previous Christopher Nolan movie, Tenet carries a lot on its shoulders. The fact that it made it into cinemas is an achievement, but does it deliver? The critical consensus has been a qualified, often confused, “yes”, although opinions have differed widely, even among Guardian and Observer critics. One thing all will agree: as well as a fresh jolt of spectacle to revive the flatlining movie business, Tenet provides plenty to talk about and plenty to think about. Too much? Let’s talk about that.
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