Skip to main content

The Vigil review – malevolent dybbuk seeks new host scarily

This horror yarn has an authentically Jewish setting and an expressive central performance from Dave Davis, guarding a corpse from evil

Jewishness – especially its historical traumas – has flowed freely into the DNA of horror, from the German expressionists to Roman Polanski and William Friedkin, even Darren Aronofsky. But there have been relatively few culturally specific Jewish horror films, and this is where Blumhouse Productions, with its eye for a canny hook, comes in. The Vigil, by debut writer-director Keith Thomas, doesn’t examine rising antisemitism, so it doesn’t have the same contemporary punch as Get Out had regarding Black Lives Matter, or The Invisible Man for #MeToo. But, set mostly in one house in the Orthodox community of Boro Park, Brooklyn, with reams of Yiddish dialogue, it is all the same an authentically Jewish and reasonably competent chiller.

Continue reading...

from Culture | The Guardian https://ift.tt/39ExugQ

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV