Skip to main content

'On the hoof': why the government's Covid-19 plan looks like horseplay

First No 10 favoured herd immunity, now it has been accused of making up its response ‘on the hoof’. Are we being led by donkeys?

The public accounts committee has accused the government of failing to make economic plans for a pandemic, and instead making up its response “on the hoof”. But what do hoofs have to do with frantic improvisation? Do horses like jazz?

“Hoof” is an old Germanic word for the horny sheath on the feet of ungulates (“ungula”, in turn, being the Latin for “hoof”). Originally, “on the hoof” described a live animal (one that was standing up) rather than a slaughtered one. The first use of the modern sense – presumably implying instead “at a canter” or “while running” – might have been by Rudyard Kipling. In Something of Myself (1936), he explained how, when editing fiction at a magazine, he decided to write it himself: “Why buy Bret Harte [a popular American humorist], I asked, when I was prepared to supply home-grown fiction on the hoof? And I did.”

Continue reading...

from Culture | The Guardian https://ift.tt/338DMEk

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV