Skip to main content

'I’m a tough cookie, I have thick skin': Top Boy's Jasmine Jobson

The girl social services called ‘the most difficult child in Westminster’ is now up for a Bafta. She talks about Star Wars, her foster mother and working in the Heathrow Wetherspoons

When the casting director asked Jasmine Jobson to lose her temper, she wasn’t sure how far to take it. “I was like, ‘I can hit the roof or I could hold back a bit.’ He was like, ‘No, go nuts.” Jobson picked up a chair and “threw it clean across the room”, hitting a wall and narrowly missing a window. A week later, she was told she’d got the job, a part in Netflix’s reboot of the hit gang drama Top Boy, resurrected by Drake.

A fearsome presence, and one of few female leads in a very male series, her character Jaq turns the younger kids on the fictional London estate on to dealing drugs – and even beats her own sister, viciously. “I think I accidentally took the wardrobe door off the hinges in the kerfuffle,” Jobson says. “And it was really really hot. I was there in this big Moncler jacket, pouring with sweat.” Such was the menace of the performance – undercut with moments of vulnerability – Jobson has been nominated for best supporting actress at this week’s TV Baftas, alongside Helena Bonham-Carter.

Continue reading...

from Culture | The Guardian https://ift.tt/3eVzrXi

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV

Elena Ferrante: ‘Solaris is not Tarkovsky’s best film, but it made the greatest impression on me’

Solaris is astonishing because the book that inspired it doesn’t seem to contain Tarkovsky’s film A film that I watch at least once a year is Andrei Tarkovsky’s Solaris . I’ve loved all of Tarkovsky’s works, even the most difficult. Some I’ve seen in the cinema, others on television. I saw Andrei Rublev at the cinema, and on the big screen it was astonishing, its black-and-white extraordinary: I’ll probably never see it again in a cinema, but I hope that young people will have the opportunity. I also saw Solaris on the big screen – not Tarkovsky’s best film, but the one that made the greatest impression on me. I remember that it was advertised as the Soviet answer to 2001: A Space Odyssey – a completely misleading slogan. To see in it a cinematic contest between the US and the USSR was as silly as it was misleading. Kubrick’s marvellous film, with its imaginative force, would certainly win. But it doesn’t have even a hint of the desperation, of the sense of loss, that dominates Sol...