Skip to main content

Finn Wolfhard: ‘I have so much crazy energy’

The teen star of Stranger Things can’t wait for lockdown to end so he can get his teeth back into acting, directing and being in his rock band. But first there’s the little matter of a Ghostbusters sequel to finish...

Not long into our conversation, the Canadian actor Finn Wolfhard rises from a couch and begins pacing the bright hallways of his parents’ Vancouver home, where he has been waiting out the pandemic. We are talking over Zoom, which he has downloaded on to his phone. And while he walks – while he carries me from one room to the next, describing the roles he’s played, the directors he admires, how he has been occupying himself during this odd time – he holds his phone at chest-height, so all I can do is gaze up at him, at his straight-line features and his long hair – a dark, thick tangle – and beyond him at the ceilings of his parents’ home, which are mostly wood-panelled and whitewashed, like the ceilings of a seaside cottage.

Once he gets up, he never sits down. It’s not that he’s jittery. While he’s usually relentlessly busy with work, a kinetic bundle of oomph, lockdown has forced Wolfhard to accept calm, to embrace the enforced quiet, which he has decided is a good thing. “You feel, like, kind of cleansed,” he says. “You feel 100% yourself.” His therapist, who he has been speaking to remotely, has given the period a name: The Great Pause. “I’ve had to learn how to be bored.”

Continue reading...

from Culture | The Guardian https://ift.tt/2NOf17D

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV

When Brooklyn was queer: telling the story of the borough's LGBTQ past

In a new book, Hugh Ryan explores the untold history of queer life in Brooklyn from the 1850s forward, revealing some unlikely truths For five years Hugh Ryan has been hunting queer ghosts through the streets of Brooklyn, amid the racks of New York’s public libraries, among its court records and yellow newspaper clippings to build a picture of their lost world. The result is When Brooklyn Was Queer, a funny, tender and disturbing history of LGBTQ life that starts in an era, the 1850s, when those letters meant nothing and ends before the Stonewall riots started the modern era of gay politics. Continue reading... from Culture | The Guardian https://ift.tt/2H9Zexs