Skip to main content

Can I go clubbing? Yes – in New Zealand! Your guide to easing and the arts

Are seatless, stroll-through shows the future of theatre? Can one-way dancing save nightclubs? Could budding indie bands storm Wembley stadium? Scientists imagine the arts after Covid-19

The day before museums began closing in Britain, I saw Aubrey Beardsley at the Tate and Titian at the National Gallery. It was a strange experience, the power of the art undercut by the unsettling feeling that something deadly could be among us. “Don’t come too close to me,” I found myself thinking, or: “I can’t believe you’re coughing in public.” I wondered if it was wrong of me to even be there. With the words “global health emergency” ringing in my ears, I resolved not to leave the house again for pleasure. Soon, there was no choice anyway.

Those thoughts have resurfaced now that lockdown is easing and arts institutions face enormous pressure to reopen – and keep visitors safe. “The virus has produced a great deal of anxiety,” says Gabriel Scally, honorary professor of public health at the University of Bristol. “Coming out of lockdown, there are bound to be people whose psychological problems – OCD or agoraphobia – will be exacerbated by this. We need to make sure people can enter venues with confidence.”

Continue reading...

from Culture | The Guardian https://ift.tt/3eD1lYJ

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...