Skip to main content

A Killer Uncaged review – life after death row

Can a person ever truly change? This three-part series follows a Texan prisoner who had his death sentence quashed – and his victim’s family, who believe he will kill again

Don’t let the title of A Killer Uncaged (Sky Crime) put you off. While it sounds like your average inflammatory, exploitative true-crime documentary, this three-part series is actually a balanced and nuanced look at capital punishment and the moral complexities of justice in the US, and Texas in particular.

“Thirty years ago, I killed a man,” says Dale Wayne Sigler, in an interview given when he was still behind bars. Softly spoken and emotional, he gives a crisp, but devastating account of his early life. He says his mother was “a child having children”; his father was violent and abusive. Sigler was molested when he was 10. His early adult life was a mess of drugs and petty crime. He lived on the streets. In 1990, he robbed a Subway sandwich shop at gunpoint. When the shop assistant, John William Zeltner Jr, fled to the back room in fear, Sigler shot him six times, killing him. Then he took $400 from the till.

After a tipoff to the police, Sigler confessed to the crime. In 1991, he was sentenced to death. Itamar Klasmer, the series’ director, is careful at all points to ensure that, while this is Sigler’s story, it also leaves room for Zeltner, his victim. Tommy Lenoir, one of the homicide detectives assigned to the case, explains why it was considered to be more serious than a robbery gone wrong. He calls the shooting “execution style” because Sigler shot Zeltner so many times. Greg Miller, from the prosecution team, described it as “particularly heinous” and “pretty cold-hearted”.

Continue reading...

from Culture | The Guardian https://ift.tt/3i8cnHv

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV