Skip to main content

'Milli Violini': I was a fake violinist in a world-class miming orchestra

Jessica Chiccehitto Hindman spent years touring America in an orchestra of gifted players who mimed to CDs. She relives their bizarre performances – and her eventual collapse

A young violinist joins an award-winning ensemble led by a famous composer, only to find out that all of the musicians aren’t actually playing their instruments but are simply miming along to a CD instead. It is an incredible premise for a memoir, and might even make a great Coen brothers film, but Jessica Chiccehitto Hindman says this astonishing story happened to her.

At 21, she found herself alone in New York, working two jobs and selling her own eggs to fund her way through Columbia University, where she was studying to be a war correspondent. Hindman finally caught a break in 2002, one that allowed her to monetise her talent as a violinist. She was hired to play in an orchestra by a man she calls only The Composer. But she says she quickly realised the truth: she was to “play” in front of a dead microphone beneath a booming CD player, and her audiences, whether in a concert hall or a shopping mall, would never twig. “Sounds like Titanic!” someone gushed after one gig. The music did sound a little like the film’s soundtrack, and the line gave Hindman the title of her memoir. She did this job for four years. She was, as she writes, Milli Violini.

Continue reading...

from Culture | The Guardian https://ift.tt/3gjRt7o

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...