Skip to main content

What I'm really watching: MasterChef, University Challenge and the news

What happens when a film critic loses the will to watch movies? Our writer settles for cookery shows, half-hearted group-watches – and the knowledge that things could be much worse

What I’m really watching is nothing. What I’m really doing is nothing. I watch the clock, reply to messages, cook myself another meal and run to put the news on 12 minutes past the hour, to find it’s already on to The Archers. I go for the shortest run I’ve ever done, fretting and puffing. I head to another room to see if I will be able to write better there, and check Twitter instead of working. I apply for universal credit online, stumble at the first technological hurdle and give up. I spend some time thinking about a friend’s father who died last week, whom I never met. Someone from the dating apps asks me how I’m getting on; he’s been furloughed and is sitting in his mum’s garden, reading Jon McGregor’s novel Reservoir 13. I have a shower, have a cry. I watch a clip I have been sent, of a popular song whose words have been changed to coronavirus terminology. I write a pitch to an editor. I do 30 minutes of the cryptic crossword with my mother, who is putting on a brave face for me, four weeks into her own lockdown away from her home. I sit on my windowsill to catch the last of the sun with a bowl of tea or a glass of wine, then do the briefest lifting exercises I’ve ever done, fretting and wheezing. I wave to a neighbour. I soak some dried beans. By now it’s evening, and friends who have been – somehow, by character or obligation – working, message me to see if I want to group-watch a film. We WhatsApp our way through a rancid Keanu Reeves movie with a nu-metal aesthetic, and I make myself a tea infusion before bed.

Continue reading...

from Culture | The Guardian https://ift.tt/2zFqoLj

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV