Skip to main content

My favourite film aged 12: The Delinquents

Kylie Minogue, leather jackets, grown-up sex scenes ... no wonder we backcombed our hair to blag our way in

January 1990: the first month of a thrilling new decade. I am embracing the mood by jumping on the 111 bus from my small South Walian village, jetting off to the buzzing metropolis of Swansea. I am joined on this illicit adventure by three school-friends. We have spent hours debating what coloured jeans we should wear and spraying our backcombed fringes into frosty tsunamis. We have to pass a huge test at the newly opened UCI cinema, after all. We have to look 12, and I’m a few months off that yet.

My favourite film when I was 12 – and yes, honestly, Mr UCI, I’m really, genuinely 12, ignore my quivering knees and my huge bag of strawberry shoelaces – was the first film I was brave enough to fake my age for (and yes, I got in). That film was The Delinquents, starring my ultimate heroine, Kylie Minogue. I’d convinced myself I had known Minogue well since I was nine. She regularly accompanied my tea in front of the TV, on Neighbours. She was cute, she was funny, but her car mechanic character, Charlene, also stood her ground; her first appearance on the show involved her punching Scott Robinson (Jason Donovan), who later became her husband. She was quick-tempered, as I was, but also rebellious in a safe, gentle way. She was everything I wanted to be.

Continue reading...

from Culture | The Guardian https://ift.tt/35jPJGp

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...