Skip to main content

My streaming gem: why you should watch The World Is Yours

In the first of a new series of writers recommending hidden gems available to stream, a plea to discover a snappy French crime caper from Roman Gavras

Netflix was supposed to be the great democratizer. The streaming platform’s most ardent fans have argued in its favor as a level playing field, instantaneously providing a global audience of millions to smaller independent films that would otherwise never reach them. Critics of the service’s business model have posited that dropping little-known films into such a vast library with little-to-no marketing or promotion would damn those titles to an obscurity even more severe. Just one of the cases in point for the latter school of thought: The World Is Yours by Romain Gavras, a sly crime comedy that Netflix acquired for the US after a positive premiere at the 2018 Cannes Film Festival, then allowed to languish for six months before unceremoniously dumping it into the unending sea of content (it’s available on Amazon Prime in the UK). The release hardly made a blip that December, and in the year-and-change since, its reputation hasn’t grown much.

Related: I've never seen … The Shining

Continue reading...

from Culture | The Guardian https://ift.tt/33MAhSg

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...