Skip to main content

A whole new ball game: enter the bizarre world of Athletico Mince

Even sport-haters love Bob Mortimer and Andy Dawson’s cult football podcast – which isn’t really about football at all ...

If you were starting a podcast, and your intention was to choose a subject matter that alienates as many people as it attracts, you would be hard-pressed to beat football. To some, the beautiful game is a thrilling weekly clash of the titans; to others, an endless parade of stats, inexplicable fortunes and stultifying punditry. Athletico Mince is the hen’s teeth of football podcasts, in that it has managed to cross that picket line: its listenership comprises equal numbers of football fans and non-fans alike. The reasons for this are simple: no other football podcast is co-hosted by comedy legend and near-as-damn-it national treasure Bob Mortimer, and Athletico Mince is the only football podcast that isn’t actually about football at all.

“I was looking at the logo for the podcast and I realised it’s still got two fucking footballs on it,” says its co-creator and co-host Andy Dawson. “Why have we not had them removed? Because it is not a football thing!” He’s right: it wouldn’t be unfair to say that no one has ever listened to Athletico Mince to learn anything about football. There is no analysis, or debate about a team’s form or a player’s performance. “I can remember giving an opinion on the first or second podcast about [former Manchester City midfielder] Yaya Touré,” says Mortimer. “And I heard myself doing it, and I thought: ‘You wanker’. And from then it changed pretty quickly.” “By episode five, it had become what it is now,” adds Dawson. “It’s got people from the world of football in it, but they don’t do ‘football stuff’.”

Continue reading...

from Culture | The Guardian https://ift.tt/2wFVocY

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV

When Brooklyn was queer: telling the story of the borough's LGBTQ past

In a new book, Hugh Ryan explores the untold history of queer life in Brooklyn from the 1850s forward, revealing some unlikely truths For five years Hugh Ryan has been hunting queer ghosts through the streets of Brooklyn, amid the racks of New York’s public libraries, among its court records and yellow newspaper clippings to build a picture of their lost world. The result is When Brooklyn Was Queer, a funny, tender and disturbing history of LGBTQ life that starts in an era, the 1850s, when those letters meant nothing and ends before the Stonewall riots started the modern era of gay politics. Continue reading... from Culture | The Guardian https://ift.tt/2H9Zexs