Skip to main content

Vladislav Delay: Rakka review – techno from the end of the world

(Cosmo Rhythmatic)
Inspired by the arctic tundra and the climate crisis, the Finnish producer’s angriest work to date is a mix of unstable, deconstructed beats and bludgeoning noise

Most people tend to start out angry at injustice in the world, and then have that anger pared down by the passage of time until they’re playing golf and voting Conservative. Vladislav Delay, AKA Finnish producer Sasu Ripatti, has done the reverse. As Luomo in the mid-00s, he evolved the elegant minimal house that plays in cocktail bars into its ideal form. Sensual and subtly detailed, his tracks had a quiet toughness, but all certainly felt well with the world. His Vladislav Delay moniker was for even more beatific ambient techno. But by the time of his 2012 masterpiece Kuopio, its equally strong sister EP Espoo and the skittish jazz-techno fusion group Vladislav Delay Quartet, disquiet had crept in. The beats drummed like quick, nervous fingers on a tabletop, or a steady fist at a door.

Continue reading...

from Culture | The Guardian https://ift.tt/2wbEBO7

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV

When Brooklyn was queer: telling the story of the borough's LGBTQ past

In a new book, Hugh Ryan explores the untold history of queer life in Brooklyn from the 1850s forward, revealing some unlikely truths For five years Hugh Ryan has been hunting queer ghosts through the streets of Brooklyn, amid the racks of New York’s public libraries, among its court records and yellow newspaper clippings to build a picture of their lost world. The result is When Brooklyn Was Queer, a funny, tender and disturbing history of LGBTQ life that starts in an era, the 1850s, when those letters meant nothing and ends before the Stonewall riots started the modern era of gay politics. Continue reading... from Culture | The Guardian https://ift.tt/2H9Zexs