Skip to main content

'This is the new standard for spectacle': fans react to the Back to the Future musical

Audience members give their verdict on the musical version of the 1985 hit movie, which has premiered in Manchester ahead of a West End transfer

Fans of 1985 pop culture phenomenon Back to the Future strapped themselves in for one of the first performances of the new musical version in Manchester this week. Brought to the stage by the film’s original creative team of Bob Gale and Robert Zemeckis, and directed by Tony award-winner John Rando, the musical features a new score from combined eight-time Grammy-winning duo Alan Silvestri and Glen Ballard, alongside the movie’s original soundtrack hits.

Standing in the queue that stretched all the way up to Deansgate was Back to the Future superfan Steve Foster, 52, who said that he didn’t care how true it was to the film, he would probably cry regardless. Having grown up with the film and watched it “hundreds” of times, to the point where he knew all the words, this proud owner of Back to the Future memorabilia including lego and a holographic replica of the McFlys’ family photo could hardly contain his excitement.

Continue reading...

from Culture | The Guardian https://ift.tt/32lPhpe

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...