Skip to main content

The Invisible Man review – Elisabeth Moss brings murky thriller to life

A reliably committed lead performance ignites a mostly enjoyable, often timely, take on the HG Wells story that falls apart in the final act

While some would argue that the worst thing to have spawned from Marvel’s extended cinematic universe is an overreliance on the superhero genre in general, there’s been something arguably more damaging at play. The unprecedented commercial success of the interconnected, multi-branched nature of the MCEU caused other studios to crave similar long-term profits and so franchises suddenly grew exponentially, in every possible direction, whether they needed to or not. The most disastrous example of this came from Universal who saw the trend as a way of relaunching and combining their many monster movies as part of the newly coined Dark Universe. A logo was released along with a promotional image of cast members from films that hadn’t yet started production, an ambitious yet ultimately foolish gamble given that the first of these, 2017’s The Mummy, was then rejected by audiences and critics.

Related: Elisabeth Moss: ‘The Handmaid’s Tale hasn’t taken a toll, it has helped me’

Continue reading...

from Culture | The Guardian https://ift.tt/2HRu1P5
Labels:

Comments

Post a Comment

Popular posts from this blog

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV
Post a Comment
Read more

When Brooklyn was queer: telling the story of the borough's LGBTQ past

In a new book, Hugh Ryan explores the untold history of queer life in Brooklyn from the 1850s forward, revealing some unlikely truths For five years Hugh Ryan has been hunting queer ghosts through the streets of Brooklyn, amid the racks of New York’s public libraries, among its court records and yellow newspaper clippings to build a picture of their lost world. The result is When Brooklyn Was Queer, a funny, tender and disturbing history of LGBTQ life that starts in an era, the 1850s, when those letters meant nothing and ends before the Stonewall riots started the modern era of gay politics. Continue reading... from Culture | The Guardian https://ift.tt/2H9Zexs
Post a Comment
Read more