Skip to main content

Our Bodies, Their Battlefield by Christina Lamb review – groundbreaking on women and war

Rape is as much a weapon of war as a Kalashnikov ... the acclaimed foreign correspondent has written a harrowing but vital book

As a junior researcher on a TV documentary in Uganda in 1986, I was told to ask a question that was the dark cliche of war reporting: “Anyone here been raped and speak English?” To my horror, a teenage girl stepped shyly forward, eyes cast downwards. Since then, I have come across hundreds of women raped in wars around the world – and I have found kinder ways of establishing if they want to tell their story.

In her harrowing new book, foreign correspondent Christina Lamb explains that rape in conflict is often seen as a “private crime”, an incidental atrocity, when it is “as much of a weapon of war as the machete, club or Kalashnikov”. She gives priority to the stories of individual women, many of whom feel validated by speaking out, but understands why other victims remain silent. Often they feel ashamed, or fear ostracism from their own communities. “You won’t find these women’s names in the history books or on the war memorials,” Lamb writes. “But to me they are the real heroes.”

Continue reading...

from Culture | The Guardian https://ift.tt/2wFTubF

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...