Skip to main content

Our Bodies, Their Battlefield by Christina Lamb review – groundbreaking on women and war

Rape is as much a weapon of war as a Kalashnikov ... the acclaimed foreign correspondent has written a harrowing but vital book

As a junior researcher on a TV documentary in Uganda in 1986, I was told to ask a question that was the dark cliche of war reporting: “Anyone here been raped and speak English?” To my horror, a teenage girl stepped shyly forward, eyes cast downwards. Since then, I have come across hundreds of women raped in wars around the world – and I have found kinder ways of establishing if they want to tell their story.

In her harrowing new book, foreign correspondent Christina Lamb explains that rape in conflict is often seen as a “private crime”, an incidental atrocity, when it is “as much of a weapon of war as the machete, club or Kalashnikov”. She gives priority to the stories of individual women, many of whom feel validated by speaking out, but understands why other victims remain silent. Often they feel ashamed, or fear ostracism from their own communities. “You won’t find these women’s names in the history books or on the war memorials,” Lamb writes. “But to me they are the real heroes.”

Continue reading...

from Culture | The Guardian https://ift.tt/2wFTubF

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV