Skip to main content

Mark Thomas: 50 Things About Us review – an inventory of Britishness

Radlett Centre, Hertfordshire
This grab-bag show sheds little light on our political travails but it’s stuffed with funny caricatures and plenty of myth-busting

How did we get here? asks Mark Thomas. His new show, 50 Things About Us, promises little-known facts about the UK to explain our current predicament. Six per cent of UK land mass is grouse moor, he claims – while there are only 22 countries that we haven’t invaded (yet). It’s a compelling conceit, even if Thomas’s inventory of Britishness – demanding that, for a change, we see ourselves as others see us – sheds little new light on Brexit, Boris and our political travails.

That is partly because our host doesn’t stay on topic, as he ties up loose ends from previous shows and teases new material (about displaced Chagos Islanders and their fledgling football team) from his next. His thesis that our EU exit is the last spasm of the British empire has been widely aired elsewhere. But it needs restating, and Thomas gives it a characteristically emphatic workout, with red-faced routines about Gibraltar (whose claim to Britishness he finds less persuasive than the Calais refugee camp), the national anthem and the larcenous British Museum.

Continue reading...

from Culture | The Guardian https://ift.tt/399G8TB

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...