Skip to main content

George MacKay: ‘Playing Ned Kelly was exhausting – I felt very vulnerable’

Fresh from the Oscar-winning 1917, the actor is taking on his most challenging role yet

“There’ll be no more of this shit,” snarls George MacKay, eyes bulging like a young Iggy Pop. “I’ll give you the full 11 inches of my dick, just so you can know how it feels to get shaaafted!” His temple throbs. His mouth froths. He gets so excited that he spills some of his lemon and ginger tea on the floor of the photo studio we’re sitting in. “Oh dear,” he says, Iggy Pop transforming rapidly into an extremely apologetic, polite young man. “I’m just going to wipe that up with my bum.” And so he does – sliding across the floor while his black trousers soak up the drink.

A polite young man George MacKay might be, but at just 27 he’s had plenty of practice trying on other personas: a closeted gay activist in Pride, a singing Scottish squaddie in Sunshine On Leith and – most recently – Lance Corporal Will Schofield in Sam Mendes’ first world war smash, 1917. He is soon to play the notorious Australian bushranger Ned Kelly in True History Of The Kelly Gang, which is where today’s unlikely punk outburst comes in: director Justin Kurzel wanted his young actors to put a punky spin on the tale of the Aussie folk hero, so he booked a gig venue and told them to perform their own songs live as a punk band. MacKay is treating me to one of his self-penned numbers.

Continue reading...

from Culture | The Guardian https://ift.tt/2wcCGJc

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV