Skip to main content

BoJack Horseman review – what will we do without him?

From alcoholism to miscarriage, Netflix’s hit animation has tackled the toughest of subjects with a side of animal magic. As it ends, it remains both wise and poignant

If you had to be part horse, which would you prefer: human head and horse’s body, or vice versa? If you had a horse’s body, you could leap over fences naked without flouting social convention, but it would be hard to swipe right on Tinder. Equally, if you had a horse’s head, how would any humans you hoped to seduce understand you? Neighing, in my experience, rarely gets one past first base. Wittgenstein wrote: “If a lion could speak, we could not understand him.” The same goes for horses.

This matter has been on my mind for years, ever since I reviewed the premiere of BoJack Horseman (Netflix), the cartoon about a talking horse actor and other anthropomorphised animals coexisting with humans in Hollywood. How could it have anything more to say than one hoof stamp yes, two no? And yet it has amassed awards and outlived Channel 4 Racing, so it clearly has something.

Continue reading...

from Culture | The Guardian https://ift.tt/2GHpGNL

Labels

Labels:

Comments

Post a Comment

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4
Post a Comment
Read more

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV
Post a Comment
Read more

When Brooklyn was queer: telling the story of the borough's LGBTQ past

In a new book, Hugh Ryan explores the untold history of queer life in Brooklyn from the 1850s forward, revealing some unlikely truths For five years Hugh Ryan has been hunting queer ghosts through the streets of Brooklyn, amid the racks of New York’s public libraries, among its court records and yellow newspaper clippings to build a picture of their lost world. The result is When Brooklyn Was Queer, a funny, tender and disturbing history of LGBTQ life that starts in an era, the 1850s, when those letters meant nothing and ends before the Stonewall riots started the modern era of gay politics. Continue reading... from Culture | The Guardian https://ift.tt/2H9Zexs
Post a Comment
Read more