Skip to main content

Taika Waititi: 'You don't want to be directing kids with a swastika on your arm'

Taika Watiti went from Flight of the Conchords to Thor Ragnarok. Now he plays the Nazi dictator as a buffoon in his new film, Jojo Rabbit. He talks fighting evil with comedy

As a boy in New Zealand, Taika Waititi went through a phase of obsessively drawing swastikas all over his notebooks. He knew what Nazis were and what the symbol represented, he says. “But you tell a kid they’re not allowed to do something, that it’s the worst thing to do, and they automatically want to do it.” The transgressive thrill was usually fleeting, he admits. “I’d instantly feel really guilty and turn it into a window.”

Ordinarily, it would be a matter of some concern if that swastika-fixated child grew up to cast himself as Adolf Hitler in his own movie. Jojo Rabbit is a comedy about a wartime German boy whose imaginary friend is, indeed, Hitler. But this is Taika Waititi: not only is he a self-identifying “Polynesian Jew” (his father is Maori; his mother’s father was Jewish), but one of the most likable people on the planet.

Continue reading...

from Culture | The Guardian https://ift.tt/35Y2vtD
Labels:

Comments

Post a Comment

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4
Post a Comment
Read more

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV
Post a Comment
Read more

Elena Ferrante: ‘Solaris is not Tarkovsky’s best film, but it made the greatest impression on me’

Solaris is astonishing because the book that inspired it doesn’t seem to contain Tarkovsky’s film A film that I watch at least once a year is Andrei Tarkovsky’s Solaris . I’ve loved all of Tarkovsky’s works, even the most difficult. Some I’ve seen in the cinema, others on television. I saw Andrei Rublev at the cinema, and on the big screen it was astonishing, its black-and-white extraordinary: I’ll probably never see it again in a cinema, but I hope that young people will have the opportunity. I also saw Solaris on the big screen – not Tarkovsky’s best film, but the one that made the greatest impression on me. I remember that it was advertised as the Soviet answer to 2001: A Space Odyssey – a completely misleading slogan. To see in it a cinematic contest between the US and the USSR was as silly as it was misleading. Kubrick’s marvellous film, with its imaginative force, would certainly win. But it doesn’t have even a hint of the desperation, of the sense of loss, that dominates Sol...
Post a Comment
Read more