Skip to main content

Robert De Niro and Al Pacino: 'We’re not doing this ever again'

The acting legends have reunited for Martin Scorsese’s mob picture The Irishman. They discuss 50 years of friendship, getting the film off the ground – and their ‘gangster president’

‘Hi guys and girls,” says Al Pacino brightly, making his entrance. He is sporting a veteran-boho look: what seems like about six black cardigans on top of each other, lots of chunky finger jewellery and messy bird’s-nest hair. There may even be one of those two-inch ponytails that were popular in the late 80s in there somewhere – it is hard to see in the general tonsorial disorder.

Next to stroll in is Robert De Niro, who – in dramatic contrast – looks like he has come in from a round of golf: shirt and sports jacket, grey-white hair slicked back. Welcome, then, to the Al and Bob show.

Continue reading...

from Culture | The Guardian https://ift.tt/33hEQTi
Labels:

Comments

Post a Comment

Popular posts from this blog

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV
Post a Comment
Read more

When Brooklyn was queer: telling the story of the borough's LGBTQ past

In a new book, Hugh Ryan explores the untold history of queer life in Brooklyn from the 1850s forward, revealing some unlikely truths For five years Hugh Ryan has been hunting queer ghosts through the streets of Brooklyn, amid the racks of New York’s public libraries, among its court records and yellow newspaper clippings to build a picture of their lost world. The result is When Brooklyn Was Queer, a funny, tender and disturbing history of LGBTQ life that starts in an era, the 1850s, when those letters meant nothing and ends before the Stonewall riots started the modern era of gay politics. Continue reading... from Culture | The Guardian https://ift.tt/2H9Zexs
Post a Comment
Read more