Skip to main content

Monos review – hypnotic thriller about teenage guerrillas

Inspired by the upheaval in his native Colombia, Alejandro Landes’s story of teenage guerrillas descending into anarchy is a hypnotic triumph

This second fiction feature from Colombian-Ecuadorian writer-director Alejandro Landes is a dizzying fable of child soldiery that plunges its audience headfirst into an immersive world of war and adolescence. Brilliantly played by a youthful ensemble cast, and accompanied by a breathtaking Mica Levi score, it is alternately sensuous and scary, thrilling and appalling, with a dark heart of horror at its core.

We open on a remote mountaintop, where a ragtag band of teenagers plays blindfolded football. These are the titular Monos (alluding to the Greek word for “alone”) – a guerrilla outfit overseen by a fearsome “Messenger”, who teaches them that “we work for the Organisation; the Organisation is our family!” They have cartoonish noms de guerre (Rambo, Dog, Wolf, Boom Boom) and lead a regimented life amid a landscape of surreal stone structures, as mysterious as the monolith from 2001. Their primary task is guarding “Doctora”, an American prisoner who is apparently being held for ransom. But the kids are more excited by the prospect of a new arrival: a (sacrificial) cow named Shakira, which they are told is on loan from a benefactor and must be milked and cared for or it will explode.

Continue reading...

from Culture | The Guardian https://ift.tt/2Whpuvp

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV