Skip to main content

How Europe Stole My Mum review – nothing short of a Brexit miracle

Kieran Hodgson and Liza Tarbuck offer up a rare treat indeed – the only thing that has managed to make me laugh about Brexit

On paper, it’s enough to send you running for the hills. A show about Brexit – pull on your trainers – a young comedian’s examination of its 60s and 70s origins – lace them tight – via impressions of politicians from that era, and you’re off, racing across the greensward, bug-eyed in horror. “Come back!” people might shout. “The conceit is he wants to rebuild his relationship with his leave-voting mother!” “Never!” you reply, without a second thought. “Never!”

And this, as with so much to do with Brexit, would be wrong. For the show is How Europe Stole My Mum (Channel 4) and it is really, really good. Odd, unexpected, not for everyone, perhaps, any more than any comedy ever is, but fresh, charming and funny. It succeeded in something I had long believed unfeasible: it made me laugh if not exactly about Brexit then in very close proximity to it – an achievement so near to impossible that the mirthful noises emerging from my breast amounted almost to a miracle.

Continue reading...

from Culture | The Guardian https://ift.tt/2Wxmo6A

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV