The director has unleashed his latest broadside against Broken Britain. But with escapist cinema on the rise, can the genre survive?
When it comes to keeping it real, Ken Loach is in a league of his own. For more than five decades, he has carried the torch for British social realism; that fine tradition of everyday, usually working-class drama that has produced some of the most powerful, important cinema of our times. But 83-year-old Loach is practically the last man standing. He is like the David Attenborough of British cinema: when he goes, what will happen?
Loach already announced his retirement in 2014, before returning to make I, Daniel Blake. Now he is back with Sorry We Missed You, which tallies the toll of the gig economy on a hard-up Newcastle upon Tyne family. Promises of “being your own boss” come with ruthless terms and conditions for delivery driver Ricky, while his care-worker wife contends with exploitative employers, difficult patients and long bus journeys. It is another clear-eyed take on Broken Britain. Had there been more films like it, we might have a better idea of how we got to where we are now.
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