Skip to main content

AJ Tracey: ‘I had to do everything on my own’

2019 has been the UK rapper’s breakout year. He talks about how drum’n’bass informed his style – and why Boris Johnson is ‘a very small man’

"Yo, it’s the hyperman set, AJ Tracey, live and direct!” Roll down a car window or scroll the radio dial over the past few months and Ladbroke Grove, the no-frills garage tune by the west London rapper, will have no doubt been making the speakers shake. Tracey’s track, with its pitched-up sample from soul singer Jorja Smith, cut through all the season’s Latin-flavoured pop, functional house and endless Ed Sheeran singles and still sits, unbudged, in the charts, a feelgood summer hit that refuses to accept that autumn is here.

Tracey, whose real name is Ché (after Guevara) Wolton Grant, though he usually goes by his stage name, has been having a breakthrough year. In February, he self-released his debut album, which has since become the second-biggest album of 2019 by an independent musician; to cap it off, he’s playing two sold-out nights at the 10,000-capacity venue Alexandra Palace next month.

Continue reading...

from Culture | The Guardian https://ift.tt/2WgbJNE

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV

When Brooklyn was queer: telling the story of the borough's LGBTQ past

In a new book, Hugh Ryan explores the untold history of queer life in Brooklyn from the 1850s forward, revealing some unlikely truths For five years Hugh Ryan has been hunting queer ghosts through the streets of Brooklyn, amid the racks of New York’s public libraries, among its court records and yellow newspaper clippings to build a picture of their lost world. The result is When Brooklyn Was Queer, a funny, tender and disturbing history of LGBTQ life that starts in an era, the 1850s, when those letters meant nothing and ends before the Stonewall riots started the modern era of gay politics. Continue reading... from Culture | The Guardian https://ift.tt/2H9Zexs