Skip to main content

Tool: Fear Inoculum review – primordial riffage to pull you under

(Volcano, RCA)
Every track is an epic on this almighty fifth album from a band intent on securing their status as masters of metal

It says something about the power of Tool that, even after 13 years, four blokes who like weird time signatures and lyrics about purging, fear and flesh can nearly knock a pop star off the global top spot. At the start of August, the enigmatic prog-metallers finally made their entire back catalogue available on streaming services for the first time: every one of their albums went Top 10 on iTunes, while Sober became the highest charting song after Ariana Grande’s Boyfriend. The band realised that they had to “roll with the times”, guitarist Adam Jones said recently – although pleasingly they are still flogging such ancient-sounding artefacts as “a tri-fold Soft Pack Video Brochure” with their new album (£79.99, in the deluxe version).

Continue reading...

from Culture | The Guardian https://ift.tt/2NEde64

Comments

Popular posts from this blog

Degrees of separation: what connects Seinfeld to Steve Bannon?

From the US sitcom to the far-right rabble rouser, we go down the rabbit hole, thanks to the arrival of Jerry’s show on Netflix Seinfeld All 180 episodes of the 90s’ most misanthropic sitcom have arrived on Netflix, but not everyone is happy. Some viewers have complained that the new transfer puts Jerry Seinfeld ’s show in a different aspect ratio: from an older square format to widescreen … yada-yada … now the picture crops out some sight gags and just seems slightly bizarro . Motion impossible: fallout It’s not the first time modern technology has caused problems. HD TVs can make even visually stunning films look like cheap soap operas, through motion smoothing – a process to reduce blurring (good for on-screen sport). But Tom Cruise was there to save the day: in a slightly awkward 2018 video , he explained how to adjust TV settings to undo this flat fiasco. Continue reading... from Culture | The Guardian https://ift.tt/3mr722c