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Sheryl Crow: Threads review – Americana-pop queen stitches genre-hop farewell

(Big Machine)
Big-name guests abound in a valedictory 11th album that offers a fitting reminder of Crow’s melancholy magic

With her 11th and reportedly final album, Sheryl Crow undertakes a confident albeit meandering victory lap. Across 17 songs and 75 minutes of frayed Americana and back-porch country she collaborates with no fewer than 23 artists, each one representing either Crow’s musical idols turned friends (Keith Richards, Stevie Nicks) or new-ish musicians she sees as the future (St Vincent, Maren Morris). Most of the 12 originals, four covers and one reworking of her own anti-war anthem Redemption Day loosely fall under the umbrella of protest songs, with the Chuck D-assisted Story of Everything touching on political idiocy, while opener Prove You Wrong tackles sexism and, as she recently told the LA Times, the sentiment of: “if anyone thinks that I can’t, let me just show you that I can.”

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