Skip to main content

Islamic Empires by Justin Marozzi review – 15 cities that define a civilisation

Violent conquest and louche hedonism in a wide‑eyed glorification of the Islamic golden age

Like many recent years, 2013 saw Richard Dawkins tweet a summary judgment about Islam. “All the world’s Muslims have fewer Nobel prizes than Trinity College, Cambridge. They did great things in the Middle Ages, though.” The coarse implication in his first statement is hardly softened by the condescending allusion to the “great things” done by past Muslims. Still, it was only a tweet. Islamic Empires, Justin Marozzi’s new work, is a 464-page elaboration of the same argument, with additional bloodshed and sleaze.

Marozzi opens by quoting a Tunisian friend who is “embarrassed to be an Arab these days”, distressed as he is by the “chaos, fighting, bloodshed, dictatorship, corruption, injustice, unemployment” plaguing the Middle East. The Tunisian certainly has a point, but it’s one that Marozzi misconstrues. Marozzi advises his friend to think back to a time when “for an Arab Muslim, pride in occupying the very summit of the global pecking order, rather than shame and embarrassment at languishing in its nether regions, was the order of the day”. But Arab spring protesters, just like this Tunisian, were complaining about their corrupt rulers and calling for a fairer society, not the restoration of what Marozzi calls a “famed” and “feared” caliphate in order to satisfy their “pride”.

Continue reading...

from Culture | The Guardian https://ift.tt/32aHt8M

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV