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From Little Women to Dickinson: how modernised should adaptations be?

Recent trailers for Greta Gerwig’s take on Louisa May Alcott and Hailee Steinfeld as a punk rock Emily Dickinson suggest a resurgence for 1860s literary women

The girls of the 1860s appear to be having a moment. Two weeks ago, the trailer for Greta Gerwig’s adaptation of Little Women – featuring a stacked cast including Emma Watson, Saoirse Ronan, Meryl Streep, Laura Dern and Timothee Chalamet – dropped with much fanfare, depending on your cultural circle. The Lady Bird director’s take on Louisa May Alcott’s classic novel, first published in 1868, seems ready to breathe a modern, candid air into the story of four sisters confronting change and (often thwarted) ambition during the Civil War. In the trailer, Ronan, as Jo March (the young, tomboyish writer Alcott modeled after herself), punches Chalamet, as neighbor-boy Laurie, in the arm; the sisters wrestle; Jo and Laurie dance in the dark and then break into a full, joyous flail.

Related: Greta Gerwig: why Little Women still generates a big buzz | Lucy Siegle

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