Skip to main content

Click, whir, ping: the lost sounds of loading video games

From the Apple II to the ZX Spectrum, the aural experience of loading a game from a cassette, disc or cartridge was all part of the fun

The first time I ever put a ​5¼-inch disk into an Apple II drive to play Lode Runner, I was hooked. It seemed wildly futuristic – this was in the early 1980s – but there was also something pleasingly analogue about the process. You had to slide the disc from its sleeve like a vinyl record, then gently feed it into the mouth of the drive, before closing the little plastic door behind it with a satisfying click.

The loading noise was a stuttering series of electronic snare drum taps, accompanied by the baseline hum of the computer itself. There was something almost organic about it, like a CT scan or ultrasound. To me it seemed incredible that typing something on a screen could cause the disk to start loading, as though I was talking to the computer, and the clicking noise only accentuated this feeling of communication. In these early days of video game playing, the actual game was only part of the experience – the allure began with the novelty of the loading process. The retrofuturistic noise of a disk drive still makes me wistful whenever I hear it on old movies and TV shows, or highly specialist YouTube videos such as this one:

Continue reading...

from Culture | The Guardian https://ift.tt/2ZkEc9G

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV