Skip to main content

An Officer and a Spy review – Polanski's iron-heeled inquest into 1890s antisemitism

Could the controversial director be drawing personal parallels with this solid account of the Dreyfus affair, about a falsely accused French-Jewish army captain?

Alfred Dreyfus was a Jewish captain in the French general staff, a man of spotless reputation and character accused of selling military secrets to the Germans. Convicted on duff evidence, he was exiled to flyblown Devil’s Island off the South American coast, railroaded and martyred, like Jesus, or Peter, or possibly Roman Polanski, who has spotted certain parallels between his situation and that of Dreyfus and has helpfully made a movie that may encourage us to do likewise.

I’ll leave it to finer legal minds than mine to locate possible holes in Polanski’s thesis, suffice to say that Dreyfus was never found guilty of the statutory rape of a minor. But the film itself is handsome and involving – a dogged procedural that exposes the institutionalised antisemitism of 1890s France and builds to the publication of Emile Zola’s J’accuse, an open letter to the president that lifted the lid on the whole sorry affair.

Continue reading...

from Culture | The Guardian https://ift.tt/2ZKiA2c

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV

Elena Ferrante: ‘Solaris is not Tarkovsky’s best film, but it made the greatest impression on me’

Solaris is astonishing because the book that inspired it doesn’t seem to contain Tarkovsky’s film A film that I watch at least once a year is Andrei Tarkovsky’s Solaris . I’ve loved all of Tarkovsky’s works, even the most difficult. Some I’ve seen in the cinema, others on television. I saw Andrei Rublev at the cinema, and on the big screen it was astonishing, its black-and-white extraordinary: I’ll probably never see it again in a cinema, but I hope that young people will have the opportunity. I also saw Solaris on the big screen – not Tarkovsky’s best film, but the one that made the greatest impression on me. I remember that it was advertised as the Soviet answer to 2001: A Space Odyssey – a completely misleading slogan. To see in it a cinematic contest between the US and the USSR was as silly as it was misleading. Kubrick’s marvellous film, with its imaginative force, would certainly win. But it doesn’t have even a hint of the desperation, of the sense of loss, that dominates Sol...