Skip to main content

The End of the Myth by Greg Grandin review – America can no longer run from its past

The idea of the frontier in US history has been one of endless promise, but the reality has involved violence, even genocide. As this powerful study argues, its latest incarnation is Trump’s wall

It is hard, as an American, to take much pleasure in the irony that the past appears to be catching up with the United States. We’ve been running from history for a long while now, watering the continent with blood and imagining all along the way that we were racing forward: not fleeing in fear but charging into a bolder, freer future. Now we’re caught in the knots our ancestors tied. We seem doomed to fight the same battles, replay the same massacres, weep again beneath the same old lynching tree. What else but ghosts could make children shoot each other in such extraordinary numbers each year?

And somehow, despite the country’s increasingly florid pathologies – the school shootings, endless war, massive homeless encampments in some of the richest cities on the planet, the largest prison system the world has ever known – the president is obsessively focused on an imaginary line, the one separating the US from Mexico. He wants to make it real, to turn a political boundary into an actual, physical barrier. In December, Donald Trump shut down the federal government because Congress would not fund his wall. His “beautiful wall” means more to him – and to the third of the populace that adores him regardless of all outrages – than all other functions of the state.

Continue reading...

from Culture | The Guardian https://ift.tt/2YlV5AJ

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV