Skip to main content

'It didn't matter if someone liked it or not': six leading architects revisit their first commission

From a beach cafe to a social housing ziggurat: this is where it all began for Norman Foster, Asif Khan and others

Amenity centre and passenger terminal for Fred Olsen, Millwall docks, London, 1969-70
I met Richard Rogers in the early 60s at Yale School of Architecture in the US, where we were both studying for our master’s. We got on well and combined forces to form Team 4, with Wendy Cheeseman and her sister Georgie Walton, who was the only registered architect at the firm. Wendy and I married and, after four years, we set up Foster Associates in her bedsit. It was 1967: there were no associates and no projects.

Continue reading...

from Culture | The Guardian https://ift.tt/2Y6kyhb
Labels:

Comments

Post a Comment

Popular posts from this blog

Degrees of separation: what connects Seinfeld to Steve Bannon?

From the US sitcom to the far-right rabble rouser, we go down the rabbit hole, thanks to the arrival of Jerry’s show on Netflix Seinfeld All 180 episodes of the 90s’ most misanthropic sitcom have arrived on Netflix, but not everyone is happy. Some viewers have complained that the new transfer puts Jerry Seinfeld ’s show in a different aspect ratio: from an older square format to widescreen … yada-yada … now the picture crops out some sight gags and just seems slightly bizarro . Motion impossible: fallout It’s not the first time modern technology has caused problems. HD TVs can make even visually stunning films look like cheap soap operas, through motion smoothing – a process to reduce blurring (good for on-screen sport). But Tom Cruise was there to save the day: in a slightly awkward 2018 video , he explained how to adjust TV settings to undo this flat fiasco. Continue reading... from Culture | The Guardian https://ift.tt/3mr722c
Post a Comment
Read more