Skip to main content

Apollo 11 review – a front-row seat for the moon landing

Composed entirely of archive footage, this documentary invests the historic mission with a tense immediacy

Given that we all know how the mission turned out, this documentary about the Apollo 11 lunar landing shouldn’t be as nervily tense as it is. But the archive-only approach – unlike the 2007 picture In the Shadow of the Moon, there are no contemporary interviews, just material recorded at the time – lends the film an immersive sense of urgency. Like the rows of crew-cut, clench-jawed scientists staring fixedly at banks of grainy screens 50 years before, we almost forget to breathe as Armstrong manoeuvres a rickety little capsule that looks like it’s held together with duct tape and faith.

There is no shortage of factual films that explore this moment. But a combination of superb research – behind-the-scenes footage is augmented by newsreel shots of crowds camped out in the car park of a JC Penney department store, craning to catch a glimpse of history – and first-rate editing makes this lift off. A celebration of human endeavour, and of a rare moment of global unity.

Continue reading...

from Culture | The Guardian https://ift.tt/2FFKhle
Labels:

Comments

Post a Comment

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...
Post a Comment
Read more

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...
Post a Comment
Read more