Skip to main content

Apollo 11 review – a front-row seat for the moon landing

Composed entirely of archive footage, this documentary invests the historic mission with a tense immediacy

Given that we all know how the mission turned out, this documentary about the Apollo 11 lunar landing shouldn’t be as nervily tense as it is. But the archive-only approach – unlike the 2007 picture In the Shadow of the Moon, there are no contemporary interviews, just material recorded at the time – lends the film an immersive sense of urgency. Like the rows of crew-cut, clench-jawed scientists staring fixedly at banks of grainy screens 50 years before, we almost forget to breathe as Armstrong manoeuvres a rickety little capsule that looks like it’s held together with duct tape and faith.

There is no shortage of factual films that explore this moment. But a combination of superb research – behind-the-scenes footage is augmented by newsreel shots of crowds camped out in the car park of a JC Penney department store, craning to catch a glimpse of history – and first-rate editing makes this lift off. A celebration of human endeavour, and of a rare moment of global unity.

Continue reading...

from Culture | The Guardian https://ift.tt/2FFKhle

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV