Skip to main content

The Slightly Annoying Elephant review – beware of David Walliams's big blue bully

Little Angel theatre, London
A hard-to-stomach character with a horrible voice and a nasty catchphrase leaves little for kids to latch on to in this loud, brash production

There’s a buzz in the theatre and the children in the audience, including Ceci (aged three), hold their breath. When will the Slightly Annoying Elephant – pulled straight from David Walliams’s bestselling picture book – arrive in young Sam’s living room? The anticipation builds and – finally! – the elephant arrives. But let’s just name the elephant in the room, shall we? This one is a bit of a disappointment.

Just like Tony Ross’s original illustrations, the elephant in question is very bright and very blue. Ceci can just about handle that. In fact, the wacky colour choice makes her giggle. But there’s something about this elephant, designed with broad-brush sweeps by Ingrid Hu, that doesn’t convince. Crucially (and this will come as no great surprise), the elephant is really very big. Too big, perhaps, for the Little Angel theatre. As the elephant makes himself at home and takes a shower, watches TV and has a nap, bits of his body disappear. His ears detach and his body vanishes completely. It all feels a bit awkward and halts the imagination in its tracks – a suspicion confirmed when Ceci whispers to me: “That’s someone dressed up as an elephant!”

Continue reading...

from Culture | The Guardian http://bit.ly/2WfiEKb

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...