Skip to main content

My Mother Said I Never Should/The Ladykillers review – love trumps farce

★★★★☆/★★

Theatre by the Lake, Keswick
Charlotte Keatley’s 1987 work about mothers and daughters is a wonderful gesture of empathy, while a staging of the Ealing black comedy fails to find the funny

Charlotte Keatley has an acute ear for the way mothers talk to daughters – and how daughters respond. Straddling four generations, yet structured as if time doesn’t exist, My Mother Said I Never Should is brilliant in its observational detail. It captures every subtextual nuance in the conversations of those mothers who can’t stop parenting and the children who can’t stop answering back.

But what her 1987 play also shows is how we are all products of historical circumstance. It isn’t temperament that embitters a woman who sacrificed everything to survive the war; nor is it a personality quirk that confounds a woman who was brought up to be a housewife when economics compel her to get a job. Their experiences made them that way.

Continue reading...

from Culture | The Guardian http://bit.ly/2I8IxBB

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV