Skip to main content

Underland: A Deep Time Journey by Robert Macfarlane review – extraordinary and thrilling

Science and romance collide in Robert Macfarlane’s latest journey through nature, as he examines the world below

Last Christmas, perhaps wishing to get rid of an unwanted appendage to the family, my mother-in-law bought me a potholing experience in, or rather under, Snowdonia. I was led down an abandoned mine shaft which opened out on to a narrow ledge overlooking an apparently bottomless chasm. I experienced what my instructor would later tell me was “perceptual narrowing” – the way that, at times of pure terror, our field of vision dramatically constricts. At that moment, I was whisked back to the pages of my favourite childhood book, Alan Garner’s The Weirdstone of Brisingamen, which is about the hope and horror of underground places.

Robert Macfarlane quotes a long passage from Garner’s novel early on in Underland, his masterly and mesmerising exploration of the world below us. But, instead of perceptual narrowing, what this book is about is the broadening of perspective that comes when we take ourselves out of the familiar world of light and air. It is a book that seeks to re-enchant everyday existence by moving out of it; that asks us to be aware of those things, both actual and fabled, that move beneath our feet; it also seeks, as its subtitle “A Deep Time Journey” suggests, to reconfigure our experience of time, using the vast cycles of geological time and weaving in ancient mythical descents to take the measure of the Anthropocene era.

Continue reading...

from Culture | The Guardian http://bit.ly/2XOBkgi

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV