Skip to main content

The Hendrix of the Renaissance: Leonardo da Vinci, pop star

His first gig at the Milan court was not to paint but to play his skull-shaped violin. A new project explores a lesser known side of Leonardo – his music

Just when you think you’ve got the measure of Leonardo da Vinci – painter, anatomist, pioneer of flight, animal-rights prophet – he turns out to have one more talent up his sleeve. On the 500th anniversary of his death on 2 May, art historian Martin Kemp has collaborated with early music singers I Fagiolini to create a tour and album centred on an aspect of Leonardo’s polymathy we can’t directly know – his musicianship.

Leonardo himself hinted why his talent as a musician would end up being the least-known of his abilities, point out Kemp and I Fagiolini’s director Robert Hollingworth, during a rehearsal at the Barbican. The trouble with music, he said in his notebooks, is that it is ephemeral – a fleeting beauty. Not even Leonardo dreamed recorded music could exist. He played a kind of fat violin called the lira da braccio, for which there were not even written scores. Playing it “was the Renaissance version of playing the blues”, says Hollingworth. You improvised on its deep acoustics while singing melancholy verses.

Continue reading...

from Culture | The Guardian http://bit.ly/2V1Q9PH

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV