Skip to main content

I Fagiolini review – insights and intricacies as superb ensemble set Leonardo to music

Milton Court, London
Robert Hollingworth’s vocal ensemble joined forces with an art historian to set the Mona Lisa to Monteverdi and Vitruvian Man to Bach

Part multimedia lecture, part concert, I Fagiolini and their director Robert Hollingworth have joined forces with Prof Martin Kemp for Leonardo da Vinci: Shaping the Invisible to mark the 500th anniversary of Leonardo’s death. Leonardo expert Kemp talks about the artist’s work in often fascinating detail, and Hollingworth and his singers perform music suggested by the art that we see displayed on a screen at the back of the platform.

The links between sound and image are sometimes clearcut, sometimes more oblique. Salvator Mundi is accompanied by motets of the same name by Tallis and Herbert Howells, and The Annunciation by Victoria’s Alma Redemptoris Mater. Hollingworth chose the latter, he tells us, not so much because of its associations with the Virgin Mary, but because he found its overlapping phrases suggestive of the folds in the drapery worn by the figures in the painting. It’s in such attention to detail, asking us to listen and look afresh at the familiar, that the evening’s insights rest.

Continue reading...

from Culture | The Guardian http://bit.ly/2GKtUUw

Comments

Popular posts from this blog

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV

When Brooklyn was queer: telling the story of the borough's LGBTQ past

In a new book, Hugh Ryan explores the untold history of queer life in Brooklyn from the 1850s forward, revealing some unlikely truths For five years Hugh Ryan has been hunting queer ghosts through the streets of Brooklyn, amid the racks of New York’s public libraries, among its court records and yellow newspaper clippings to build a picture of their lost world. The result is When Brooklyn Was Queer, a funny, tender and disturbing history of LGBTQ life that starts in an era, the 1850s, when those letters meant nothing and ends before the Stonewall riots started the modern era of gay politics. Continue reading... from Culture | The Guardian https://ift.tt/2H9Zexs