Skip to main content

Film director Alice Rohrwacher: “Making images is a form of faith'

The Italian film-maker’s third movie, Happy As Lazzaro, is being hailed as visionary. Here she discusses her childhood in rural Umbria and why her work is always political

As a child, Italian film-maker Alice Rohrwacher would accompany her parents on road journeys, often at night, transporting the produce of the family beekeeping business. Whenever they arrived somewhere, she would sit in the dark and wonder where she was. “I’d have to work it out from what I could hear, not from what I could see, so I’d listen to the place and the information would enter my mind – and then I’d open my eyes.” That, she says, is why her three feature films all start at night, to put her viewer in the same position. “You have to imagine a world, and then compare the world you imagine with the world outside.”

The universe of Alice Rohrwacher’s films – that’s “Alice” pronounced “A-lee-che” – sometimes resembles the world as we know it, but pure imagination has increasingly played a part. Her debut, Corpo Celeste (2011), was a largely realist drama about a young girl’s Catholic education. Follow-up The Wonders, which won the grand prix in Cannes in 2014, was an impressionistic evocation of Rohrwacher’s childhood, garnished with mischievous satire of Italian TV (Monica Bellucci as a gameshow presenter‑cum‑Etruscan nature goddess).

Continue reading...

from Culture | The Guardian https://ift.tt/2Wxk8et
Labels:

Comments

Post a Comment

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4
Post a Comment
Read more

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop
Post a Comment
Read more

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV
Post a Comment
Read more