Skip to main content

Dumbo review – this flying elephant fails to take off

Tim Burton’s overcomplicated remake of a beloved classic lacks emotional punch

It says something about the extravagant visual impact of Dumbo that the flying baby elephant is routinely upstaged by his backdrop. Tim Burton’s live-action remake of the Disney classic fills in the spaces of the deliberately understated original watercolour animation with a noisy fanfare of pizzazz and spectacle. There’s plenty of typically Burtonesque camerawork – the lens that peers upwards, with a mixture of fear and wonder, before hurtling skywards like a firework. And there’s a lot to take in, even before the action shifts from the itinerant circus troupe (which served as the setting for the original story) to the steampunk, Coney Island-style amusement park, which hosts an explosive, all-new climax.

Even the skies are magnificent, appropriately so, given Dumbo’s skill set. The circus train chugs across country under candyfloss clouds and synthetic sunsets that have the palette of a children’s party cupcake buffet.

Continue reading...

from Culture | The Guardian https://ift.tt/2TJYVMv

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV