Skip to main content

Invisible Women by Caroline Criado Perez – a world designed for men

From the ‘one-size-fits-men’ approach to smartphone design to the medical trials that are putting women’s lives at risk … this book uses data like a laser

The problem with feminism is that it’s just too familiar. The attention of a jaded public and neophiliac media may have been aroused by #MeToo, with its connotations of youth, sex and celebrity, but for the most part it has drifted recently towards other forms of prejudice, such as transphobia. Unfortunately for women, though, the hoary old problems of discrimination, violence and unpaid labour are still very much with us. We mistake our fatigue about feminism for the exhaustion of patriarchy. A recent large survey revealed that more than two thirds of men in Britain believe that women now enjoy equal opportunities. When the writer and activist Caroline Criado Perez campaigned to have a female historical figure on the back of sterling banknotes, one man responded: “But women are everywhere now!”

It’s a smart strategy, therefore, to invite readers to view this timeworn topic through the revealing lens of data, bringing to light the hidden places where inequality still resides. Criado Perez has assembled a cornucopia of statistics – from how blind auditions have increased the proportion of female players hired by orchestras to nearly 50%, to the good reasons why women take up to 2.3 times as long as men to use the toilet. This is a man’s world, we learn, because those who built it didn’t take gender differences into account. Most offices, we learn, are five degrees too cold for women, because the formula to determine their temperature was developed in the 1960s based on the metabolic resting rate of a 40-year-old, 70kg man; women’s metabolisms are slower. Women in Britain are 50% more likely to be misdiagnosed following a heart attack: heart failure trials generally use male participants. Cars are designed around the body of “Reference Man”, so although men are more likely to crash, women involved in collisions are nearly 50% more likely to be seriously hurt.

Continue reading...

from Culture | The Guardian https://ift.tt/2EBMQop

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...