Skip to main content

Parkway Drive review – uplifting rock rises from the fires of grief

Manchester Apollo
Pouring their pain into pulverising metalcore, the Australian group earn chanting adoration from their audience

Three years ago, everything was going swimmingly for Australian rockers Parkway Drive. Their fifth album, Ire, had taken them from their Byron Bay metalcore beginnings to a global breakthrough, including a No 1 in their own country. Then tragedy unfolded around them.

Friends in the band the Ghost Inside were involved in a bus crash that killed two drivers and left band members with life-changing injuries. A band member’s partner and fellow musician – Architects’ guitarist Tom Searle – died of cancer, as did Parkway frontman Winston McCall’s beloved dog, Monty, who died in the singer’s arms. Such events have given Parkway’s music a powerful emotional edge. McCall channelled his grief into 2018’s Reverence, which has taken his band to arena status. At the first of two nights in the cavernous Apollo, his cries of “welcome to a world of pain” and “we’re still here, unbreakable” sound like he is raging defiantly at the cruelty of it all, but this show is uplifting as well as compelling. It must cheer McCall greatly that the audience adore them, with chants of “Parkway Drive!” beginning after only a few numbers.

Continue reading...

from Culture | The Guardian http://bit.ly/2Wr84wl

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV

When Brooklyn was queer: telling the story of the borough's LGBTQ past

In a new book, Hugh Ryan explores the untold history of queer life in Brooklyn from the 1850s forward, revealing some unlikely truths For five years Hugh Ryan has been hunting queer ghosts through the streets of Brooklyn, amid the racks of New York’s public libraries, among its court records and yellow newspaper clippings to build a picture of their lost world. The result is When Brooklyn Was Queer, a funny, tender and disturbing history of LGBTQ life that starts in an era, the 1850s, when those letters meant nothing and ends before the Stonewall riots started the modern era of gay politics. Continue reading... from Culture | The Guardian https://ift.tt/2H9Zexs