Skip to main content

On the Come Up by Angie Thomas review – another YA hit

This joyous follow-up to The Hate U Give, about a teenage rapper, shows talent and ambition challenging stereotypes

Angie Thomas’s bestselling 2017 debut The Hate U Give was the story of a 16-year-old who witnesses the police shooting of a friend. The follow-up focuses on another 16-year-old, Brianna “Bri” Jackson, who is trying to lift her family out of poverty with her rapping talent. Her life is a struggle. Her rapper father was shot dead 12 years previously by a rival gang. Her mother, Jay, has been clean of crack for eight years, but Bri constantly fears a relapse. Her beloved Aunty Pooh sells drugs, while her paternal grandmother is disdainful of Jay’s ability to care for Brianna and her brother, Trey. Often, the family has to choose between gas, electricity or food.

Bri has talent. She has the lyrics, the knowledge and the passion. When she raps “Strapped like backpacks, I pull triggers. All the clips on my hips change my figure” she is challenging the hoodlum stereotype, but the public see it as a boast. Soon she has gained notoriety as the dangerous, angry black girl from the projects – a persona that, according to her father’s old manager, could make her serious money.

Continue reading...

from Culture | The Guardian http://bit.ly/2HFR8ic

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV

When Brooklyn was queer: telling the story of the borough's LGBTQ past

In a new book, Hugh Ryan explores the untold history of queer life in Brooklyn from the 1850s forward, revealing some unlikely truths For five years Hugh Ryan has been hunting queer ghosts through the streets of Brooklyn, amid the racks of New York’s public libraries, among its court records and yellow newspaper clippings to build a picture of their lost world. The result is When Brooklyn Was Queer, a funny, tender and disturbing history of LGBTQ life that starts in an era, the 1850s, when those letters meant nothing and ends before the Stonewall riots started the modern era of gay politics. Continue reading... from Culture | The Guardian https://ift.tt/2H9Zexs