Skip to main content

'It is what it is': finding a path through the fog of men's mental health

Two frank solo shows, East Belfast Boy and Every Day I Wake Up Hopeful, depict male crises with heart, humour and hip-hop

Saggy and shuffling, his dressing gown flapping over a middle-aged spread, Malachy is in garrulous confessional mode. His sofa has become an analyst’s couch. This is to be his final reckoning, we realise. Depression has taken a firm hold.

Simon O’Gorman brings rueful charm to the role of this solitary man in Every Day I Wake Up Hopeful (★★★★☆). It is one of two solo works about male mental health, presented as companion pieces on an extensive cross-border tour of Ireland by Belfast’s Prime Cut Productions, who had a hit in 2016 with Stacey Gregg’s Scorch, in which a teenager grappled with gender identity.

Continue reading...

from Culture | The Guardian http://bit.ly/2UxFHuG

Comments

Popular posts from this blog

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV

When Brooklyn was queer: telling the story of the borough's LGBTQ past

In a new book, Hugh Ryan explores the untold history of queer life in Brooklyn from the 1850s forward, revealing some unlikely truths For five years Hugh Ryan has been hunting queer ghosts through the streets of Brooklyn, amid the racks of New York’s public libraries, among its court records and yellow newspaper clippings to build a picture of their lost world. The result is When Brooklyn Was Queer, a funny, tender and disturbing history of LGBTQ life that starts in an era, the 1850s, when those letters meant nothing and ends before the Stonewall riots started the modern era of gay politics. Continue reading... from Culture | The Guardian https://ift.tt/2H9Zexs